fiction based on a true story

i keep coming back to this feature on greg miller. he uses a large format, view camera to capture street scenes, based on the decisive moment technique of henri cartier-bresson. however, his are not the instant “grab” shots of street photography, he mentions in the accompanying interview that he directs his subjects back to the decisive moment that caught his eye, then captures that with his camera. what results inhabits that grey area between photojournalism and fictional storytelling, heightening and isolating those instances that say something about a people, a time, a place.